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Tron Legacy Sub Download
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Interest in creating a sequel to Tron arose after the film garnered a cult following. After much speculation, Walt Disney Pictures began a concerted effort in 2005 to devise Tron: Legacy, with the hiring of Klugman and Sternthal as writers. Kosinski was recruited as director two years later. As he was not optimistic about Disney's Matrix-esque approach to the film, Kosinski filmed a high-concept, which he used to conceptualise the universe of Tron: Legacy and convince the studio to greenlight the film. Principal photography took place in Vancouver over 67 days, in and around the city's central business district. Most sequences were shot in 3D and ten companies were involved with the extensive visual effects work. Chroma keying and other techniques were used to allow more freedom in creating effects. Daft Punk composed the musical score, incorporating orchestral sounds with their trademark electronic music.[7]
Alan posts bail for Sam and tells him of a pager message originating from Flynn's shuttered video arcade. There Sam discovers a hidden basement with a large computer and laser, which suddenly digitizes and downloads him into the Grid, a virtual reality created by Flynn. He is captured and sent to "the Games", where he must fight a masked program named Rinzler. When Sam is injured and bleeds, Rinzler realizes Sam is human, or a "User". He takes Sam to Clu, the Grid's corrupt ruling program, who resembles a young Kevin.
Tron: Legacy is imbued with several references to religious themes, particularly those relating to Christianity and Buddhism. Olivia Wilde's character, Quorra, was inspired/formed by the historical Catholic figure Joan of Arc.[45] Wilde sought inspiration from her six months before production of the film commenced. She, alongside Kosinski, collaborated with the writers on editing the characters so she would contain the characteristics of Joan of Arc.[45] Wilde assessed the characteristics of the figure: "She's this unlikely warrior, very strong but compassionate, and completely led by selflessness. Also, she thinks she's in touch with some higher power and has one foot in another world. All of these were elements of Quorra."[45] Since she epitomizes the concept of androgyny, producers conceived Quorra from an androgynous perspective, notably giving her a short haircut.[45]
The skintight suits worn by the actors were reminiscent of the outfits worn by the actors in the original film.[64] Kosinski believed that the costumes could be made to be practical due to the computerized nature of the film, as physically illuminating each costume would be costly to the budget. Christine Bieselin Clark worked with Michael Wilkinson in designing the lighted costumes, which used electroluminescent lamps derived from a flexible polymer film and featured hexagonal patterns.[61][65] The lights passed through the suit via Light Tape, a substance composed of Honeywell lamination and Sylvania phosphors. To concoct a color, a transparent 3M Vinyl film was applied onto the phosphor prior to lamination.[65] While most of the suits were made out of foam latex, others derived from spandex, which was sprayed with balloon rubber, ultimately giving the illusion of a lean shape. The actors had to be compressed to compensate for the bulk of the electronics.[61] In addition, Clark and Wilkinson designed over 140 background costumes. The two sought influence from various fashion and shoe designers in building the costumes.[61] On the back of the suit was an illuminated disc, which consisted of 134 LED lights. It was attached to the suit via a magnet, and was radio-controlled.[61] All the costumes had to be sewn in such a way that the stitches did not appear, as the design team figured that in a virtual environment the clothes would just materialize, with no need for buttons, zippers or enclosures.[63] According to Neville Page, the lead designer for the helmets, "The art departments communicated very well with each other to realise Joe's [...] vision. We would look over each other's shoulders to find inspiration from one another. The development of the costumes came from trying to develop the form language which came from within the film."[65]
The majority of the suits were designed using ZBrush.[65] A scan of an actor's body was taken, which was then encased to decipher the fabric, the location of the foam, amongst other concerns. With a computer numerical cutting (CNC) of dense foam, a small-scale output would be created to perfect fine details before initiating construction of the suit. Upon downloading the participant's body scan, the illustrations were overlaid to provide an output manufacturing element.[65] Describing the CNC process, Chris Lavery of Clothes on Film noted that it had a tendency to elicit bubbles and striations.[65] Clark stated: "The [...] suit is all made of a hexagon mesh which we also printed and made the fabric from 3D files. This would go onto the hard form; it would go inside the mould which was silicon matrix. We would put those together and then inject foam into the negative space. The wiring harness is embedded into the mould and you get a torso. We then paint it and that's your finished suit."[65]
The French electronic duo Daft Punk composed the film score of Tron: Legacy,[74] which features over 30 tracks.[7] The score was arranged and orchestrated by Joseph Trapanese.[75] Jason Bentley served as the film's music supervisor.[76] An electronic music fan, Kosinski stated that to replicate the innovative electronic Tron score by Wendy Carlos "rather than going with a traditional film composer, I wanted to try something fresh and different," adding that "there was a lot of interest from different electronic bands that I follow to work on the film" but he eventually picked Daft Punk.[77] Kosinski added that he knew the band was "more than just dance music guys" for side projects such as their film Electroma.[60] The duo were first contacted by producers in 2007, when Tron: Legacy was still in the early stages of production.[78] Since they were touring at the time, producers were unsuccessful in contacting the group. They were again approached by Kosinski, eventually agreeing to take part in the film a year later.[78] Kosinski added that Daft Punk were huge Tron fans, and that his meeting with them "was almost like they were interviewing me to make sure that I was going to hold up to the Tron legacy."[77] Composition started before the film's production started.[77]
The soundtrack is different from the band's previous works for its higher emphasis on orchestral elements.[79] "Synths are a very low level of artificial intelligence," explained member Guy-Manuel de Homem-Christo, "whereas you have a Stradivarius that will live for a thousand years. We knew from the start that there was no way that we were going to do this film score with two synthesizers and a drum machine."[79]"Derezzed" was taken from the album and released as its sole single.[80] The album was released by Walt Disney Records on December 3, 2010, and sold 71,000 copies in its first week in the United States.[81] Peaking at number six on the Billboard 200,[81] it eventually acquired a gold certification by the Recording Industry Association of America, denoting shipments of 500,000 copies.[82] A remix album for the soundtrack, titled Tron: Legacy Reconfigured, became available on April 5, 2011[83] to coincide with the film's home media release.[84] Joseph Kosinski, director of the film, referred to the score as a mixture of orchestral and electronic elements.[85]
A ninth viral site, homeoftron.com, was found. It portrays some of the history of Flynn's Arcade as well as a fan memoir section.[88] On December 19, 2009, a new poster was revealed, along with the second still from the film.[89] Banners promoting the film paved the way to the 2010 Comic-Con convention center, making this a record third appearance for the film at the annual event.[90]
Electronics and toy lines inspired by the film were released during late 2010.[104] A line of Tron-inspired jewelry, shoes and apparel was also released,[105] and Disney created a pop-up store to sell them in Culver City.[106][107] Custom Tron branded gaming controllers have been released for Xbox 360, PlayStation 3 and Wii.[108]
Tron: Legacy was released by Walt Disney Studios Home Entertainment on Blu-ray Disc, DVD, and digital download in North America on April 5, 2011.[84][121] Tron: Legacy was available stand-alone as a single-disc DVD, a two-disc DVD and Blu-ray combo pack, and a four-disc box set adding a Blu-ray 3D and a digital copy. A five-disc box set featuring both Tron films was also released, entitled The Ultimate Tron Experience, having a collectible packaging resembling an identity disk.[122] The digital download of Tron: Legacy was available in both high definition or standard definition, including versions with or without the digital extras.[121]
A short film sequel to the film, Tron: The Next Day, as well as a preview of the 19-episode animated series Tron: Uprising, is included in all versions of the home media release. Tron: Legacy was the second Walt Disney Studios Home Entertainment release that included Disney Second Screen, a feature accessible via a computer or iPad app download that provides additional content as the user views the film.[123] Forty minutes of the film were shot in 2.39:1 and then vertically enhanced for IMAX.[58] These scenes are presented in 1.78:1 in a similar way to the Blu-ray release of The Dark Knight.[124] 2ff7e9595c